Peaceful

An early-morning raag combining Bhairav-ang komal Re with komal Ni in the uttarang, creating a devotional, tender dawn atmosphere.

A bright pentatonic evening raag using Sa Re Ga Pa Dha, known for clarity and approachability.

A romantic late-evening raag using tivra Ma in ascent, known for lyrical sweetness and grace.

A bright afternoon raag from the Kafi thaat associated with warmth and pastoral beauty.

A monsoon raag blending the lyrical warmth of Desh with the rain imagery of the Malhar family.

A graceful and evocative raag often linked with monsoon, patriotism, and lyrical warmth.

A pentatonic raag often heard as bright, devotional, and uncluttered in movement.

A rare morning raag emphasizing Ga as its central swara, with a contemplative and refined character.

An expansive late-morning raag from the Bilawal thaat combining Gaud and Sarang melodic elements.

A gentle evening raag from the Kalyan thaat with tivra Ma and a serene, contemplative quality.

A serene evening raag associated with the early winter season, combining warmth and gentle melancholy.

A gentle late-morning raag from the Asavari thaat with komal Dha and komal Ni.

A versatile late-evening raag using both Gas and both Nis, known for its wide emotional range.

A light and playful late-evening raag from the Khamaj thaat, popular in semi-classical music.

A flexible raag family color often associated with folk warmth and expressive ease.

A rare and beautiful late-evening raag from the Khamaj thaat with a gentle, expressive character.

A devotional evening raag using both forms of Ma, associated with prayer and spiritual depth.

A sweet afternoon raag from the Todi thaat with komal Re, komal Ga, and tivra Ma.

A lyrical and romantic late-evening raag from the Khamaj thaat with a gentle, flowing character.

A lyrical late-evening raag blending Marwa and Bihag elements with tivra Ma and distinctive sweetness.

A pentatonic afternoon raag of the Malhar family, evoking the anticipation and beauty of monsoon clouds.

A gentle afternoon raag from the Kafi thaat with komal Ga and komal Ni.

A compound late-evening raag blending Piloo's folk flexibility with Barowa's distinctive phrase structure.

A romantic late-evening raag from the Khamaj thaat with a gentle, lyrical melodic character.

A rare and devotional evening raag named after the goddess of learning, with a serene and luminous quality.

A serene evening raag differing from Bilawal only by its tivra Ma, creating a gentle luminosity.

A bright afternoon raag of the Sarang family using both Ni variants and prominent Re.

A sweet evening raag from the Kalyan thaat, closely related to Kamod with a gentle, ornamental quality.

A sweet evening raag from the Khamaj thaat with komal Ni and a lyrical, accessible character.

A luminous early-morning pentatonic raag from the Bhairav thaat with komal Re and komal Dha.

A foundational evening raag known for luminous breadth and the use of tivra Ma.

An evening raag blending Yaman and Kalyan elements, using both forms of Ma for distinctive color.