तिलंग

Tilang

A sweet evening raag from the Khamaj thaat with komal Ni and a lyrical, accessible character.

Thaat
Khamaj
Jati
Audav - Sampurna
Vadi
Ga
Samvadi
Ni
Time
Evening
Moods
Joyful, Peaceful, Romantic

Overview

Raag Tilang is a sweet and lyrical evening raag from the Khamaj thaat, known for its gentle melodic character and komal Ni usage. It has a light, pleasant quality that makes it popular in both classical and semi-classical settings. The raag is sometimes described as having a distinctly North Indian folk-classical hybrid quality.

This summary is designed as a learner-facing orientation. Interpretive details can vary by source and performance lineage.

Aaroh

Sa Ga Ma Pa Ni(k) Sa

Avroh

Sa Ni(k) Dha Pa Ma Ga Re Sa

Pakad / Chalan

Sa Ga Ma Pa, Ni(k) Dha Pa, Ma Ga Re Sa

Swaras and note treatment

Uses komal Ni. Re is omitted in ascent. The pentatonic ascent gives it an open, airy quality.

Performance notes

Tilang's sweetness and simplicity make it accessible. Re is avoided in ascent, giving the ascending movement a distinctive skip from Sa directly to Ga.

Representative listening

These embeds are included as listening leads. Curated performance choices should be reviewed editorially over time.

Search: Raag Tilang Hindustani Classical

Curated YouTube search

Search for classical performances of Raag Tilang.

Bollywood listening bridge

Bollywood song to raag mappings can vary by source and interpretation.

Dil Ke Armaan

Nikaah (1982)

Singer: Salma Agha. Composer: Ravi. Sometimes cited as reflecting Tilang-family melodic movement.

Listen on YouTube

Bandishes in Tilang

Traditional compositions set in this raag.

Related raags

Derived from shared thaat, mood, or time-of-day relationships.