Melancholic

A dramatic and powerful late-night raag with intense komal Ga treatment and forceful expression.

A late-evening raag often described as intimate, shaded, and romantic.

A night raag combining elements of Bageshree and Kanada into a deep, compound melodic identity.

The 'queen of raags,' traditionally a dawn raag but performed at any time, with all komal notes available.

A warm afternoon raag often linked with yearning, repose, and shaded lyricism.

A rare and enigmatic late-night raag where Sa is treated with unusual ambiguity and instability.

A deeply moving Todi variant attributed to Tansen's son Bilas Khan, with komal Dha replacing shuddh Dha.

A pentatonic late-night raag with komal Ga, komal Dha, and komal Ni, evoking moonlit stillness.

A late-evening raag of Carnatic origin with komal Dha and komal Ni, known for dramatic expressiveness.

A deep night raag known for gravity, slow expansion, and weighty phrase treatment.

A folk-rooted late-evening raag from the Asavari thaat with earthy, expressive character.

A morning Todi variant with a distinctive Re-Ga oscillation and a contemplative, inward character.

A serene evening raag associated with the early winter season, combining warmth and gentle melancholy.

A gentle late-morning raag from the Asavari thaat with komal Dha and komal Ni.

A rare and beautiful late-evening raag from the Khamaj thaat with a gentle, expressive character.

A deep late-night raag from the Kanada family with introspective gravity and komal Ga treatment.

A dramatic late-evening raag of Carnatic origin with komal Ga and komal Dha.

A grave late-morning raag from the Asavari thaat with komal Re adding extra weight to the Asavari framework.

A sweet afternoon raag from the Todi thaat with komal Re, komal Ga, and tivra Ma.

A lyrical and romantic late-evening raag from the Khamaj thaat with a gentle, flowing character.

A profoundly serious evening raag without Pa, where Sa itself becomes unstable and elusive.

The most widely performed Todi variant, attributed to Tansen, with deeply expressive komal swara treatment.

An afternoon raag of the Todi family with a distinctive ascending leap and intense melodic character.

A gentle afternoon raag from the Kafi thaat with komal Ga and komal Ni.

A flexible late-evening raag with folk-adjacent character, admitting a wide range of swara variations.

A romantic late-evening raag from the Khamaj thaat with a gentle, lyrical melodic character.

A monsoon raag attributed to Swami Ramdas, combining devotional gravity with rain imagery.

A serious and meditative late-morning raag with deeply nuanced intonation and a contemplative atmosphere.

A compound raag blending Todi and Bhairavi elements, creating an atmosphere of intense devotional gravity.