रागेश्री

Rageshree

A romantic late-evening raag from the Khamaj thaat with a gentle, lyrical melodic character.

Thaat
Khamaj
Jati
Audav - Sampurna
Vadi
Ma
Samvadi
Sa
Time
Late Evening
Moods
Melancholic, Peaceful, Romantic

Overview

Raag Rageshree is a lyrical and romantic late-evening raag from the Khamaj thaat. It is known for its gentle, flowing phrase movement and emotionally tender character. The raag is widely performed in both vocal and instrumental music and is appreciated for its accessibility and melodic sweetness.

This summary is designed as a learner-facing orientation. Interpretive details can vary by source and performance lineage.

Aaroh

Sa Ga Ma Dha Ni Sa

Avroh

Sa Ni Dha Pa Ma Ga Re Sa

Pakad / Chalan

Ga Ma Dha, Ni Dha Ma Ga Re Sa

Swaras and note treatment

Uses komal Ni in characteristic phrases. Re is omitted in ascent.

Performance notes

Rageshree's lyrical quality makes it suitable for emotional expression. Its phrase movement in the upper tetrachord, particularly around Ma-Dha-Ni, is distinctive.

Representative listening

These embeds are included as listening leads. Curated performance choices should be reviewed editorially over time.

Search: Raag Rageshree Hindustani Classical

Curated YouTube search

Search for classical performances of Raag Rageshree.

Bollywood listening bridge

Bollywood song to raag mappings can vary by source and interpretation.

Ja Re Ja Re Ud Ja Re Panchhi

Maya (1961)

Singer: Lata Mangeshkar. Composer: Salil Chowdhury. Sometimes discussed as touching Rageshree melodic patterns.

Listen on YouTube

Bandishes in Rageshree

Traditional compositions set in this raag.

Related raags

Derived from shared thaat, mood, or time-of-day relationships.