पटदीप

Patdeep

A gentle afternoon raag from the Kafi thaat with komal Ga and komal Ni.

Thaat
Kafi
Jati
Sampurna - Sampurna
Vadi
Pa
Samvadi
Sa
Time
Afternoon
Moods
Meditative, Melancholic, Peaceful

Overview

Raag Patdeep is a gentle and contemplative afternoon raag that uses komal Ga and komal Ni. Its melodic character is soft, inward, and quietly emotional, making it well-suited for reflective musical expression. It shares the afternoon time slot with Bhimpalasi but has a distinctly different phrase personality.

This summary is designed as a learner-facing orientation. Interpretive details can vary by source and performance lineage.

Aaroh

Sa Re Ga(k) Ma Pa Dha Ni(k) Sa

Avroh

Sa Ni(k) Dha Pa Ma Ga(k) Re Sa

Pakad / Chalan

Ga(k) Ma Pa, Dha Ni(k) Dha Pa, Ma Ga(k) Re Sa

Swaras and note treatment

Uses komal Ga and komal Ni. All other swaras are shuddh.

Performance notes

Patdeep's gentle character distinguishes it from the more intense Bhimpalasi. The Ga(k)-Ma-Pa ascending phrase and the treatment of Dha are important identity markers.

Representative listening

These embeds are included as listening leads. Curated performance choices should be reviewed editorially over time.

Search: Raag Patdeep Hindustani Classical

Curated YouTube search

Search for classical performances of Raag Patdeep.

Bollywood listening bridge

Bollywood song to raag mappings can vary by source and interpretation.

Zindagi Bhar Nahi Bhoolegi

Barsaat Ki Raat (1960)

Singer: Mohammed Rafi. Composer: Roshan. Sometimes cited as touching Patdeep melodic color.

Listen on YouTube

Bandishes in Patdeep

Traditional compositions set in this raag.

Related raags

Derived from shared thaat, mood, or time-of-day relationships.