शुद्ध कल्याण

Shuddh Kalyan

A serene evening raag differing from Bilawal only by its tivra Ma, creating a gentle luminosity.

Thaat
Kalyan
Jati
Sampurna - Sampurna
Vadi
Ga
Samvadi
Dha
Time
Evening
Moods
Joyful, Meditative, Peaceful

Overview

Raag Shuddh Kalyan is a serene evening raag from the Kalyan thaat whose scale differs from Bilawal only in the use of tivra Ma. This single alteration shifts the melodic color from Bilawal's neutral clarity to Kalyan's gentle luminosity. The raag is subtle and demands careful phrase handling to establish its identity without being confused with Yaman or Bilawal.

This summary is designed as a learner-facing orientation. Interpretive details can vary by source and performance lineage.

Aaroh

Sa Re Ga Ma(t) Pa Dha Ni Sa

Avroh

Sa Ni Dha Pa Ma(t) Ga Re Sa

Pakad / Chalan

Sa Re Ga, Pa Ga, Ma(t) Ga Re Sa

Swaras and note treatment

Uses tivra Ma as its only altered swara. All other swaras are shuddh.

Performance notes

Shuddh Kalyan's subtlety lies in being essentially Bilawal with tivra Ma. The phrase handling, particularly around Ga and Pa, must clearly establish the Kalyan identity without drifting into Yaman.

Representative listening

These embeds are included as listening leads. Curated performance choices should be reviewed editorially over time.

Search: Raag Shuddh Kalyan Hindustani Classical

Curated YouTube search

Search for classical performances of Raag Shuddh Kalyan.

Bollywood listening bridge

Bollywood song to raag mappings can vary by source and interpretation.

Dil Dhoondta Hai

Mausam (1975)

Singer: Bhupinder Singh. Composer: Madan Mohan. Sometimes discussed as reflecting Kalyan-family melodic color.

Listen on YouTube

Bandishes in Shuddh Kalyan

Traditional compositions set in this raag.

Related raags

Derived from shared thaat, mood, or time-of-day relationships.