Devotional

An early-morning raag combining Bhairav-ang komal Re with komal Ni in the uttarang, creating a devotional, tender dawn atmosphere.

A devotional dawn raag combining Bhairav's komal Re and Dha with an ascetic, renunciate quality.

A late-evening raag associated with spring, featuring komal Re, tivra Ma, and komal Dha.

A grave dawn raag with devotional weight and characteristic komal Re and Dha treatment.

The 'queen of raags,' traditionally a dawn raag but performed at any time, with all komal notes available.

A rare dawn raag from the Marwa thaat with komal Re and tivra Ma, conveying profound solemnity.

A bright pentatonic evening raag using Sa Re Ga Pa Dha, known for clarity and approachability.

A bright afternoon raag from the Kafi thaat associated with warmth and pastoral beauty.

A pentatonic raag often heard as bright, devotional, and uncluttered in movement.

A gentle evening raag from the Kalyan thaat with tivra Ma and a serene, contemplative quality.

A sparse early-morning raag from the Bhairav thaat with komal Re and komal Dha, evoking austere dawn stillness.

A bright pentatonic raag often used for energetic openings and devotional freshness.

A devotional dawn raag from the Bhairav thaat evoking the wandering ascetic and temple atmosphere.

A joyful evening raag with a characteristic Sa-Re-Pa leap and bright, celebratory character.

A devotional evening raag using both forms of Ma, associated with prayer and spiritual depth.

A luminous dawn raag with both Mas and no Pa, creating an atmosphere of awakening and devotion.

A joyful night raag from the Kalyan thaat with tivra Ma and a celebratory, expansive character.

A bright and playful late-morning raag from the Bilawal thaat with both forms of Ma.

A majestic evening raag combining the gravity of Puriya with the presence of Pa.

A monsoon raag attributed to Swami Ramdas, combining devotional gravity with rain imagery.

A rare and devotional evening raag named after the goddess of learning, with a serene and luminous quality.

A devotional and lively evening raag with a pentatonic structure emphasizing Pa.

A majestic evening raag with komal Re, tivra Ma, and komal Dha, conveying regal grandeur.

A bright afternoon raag of the Sarang family using both Ni variants and prominent Re.

A highly flexible variant of Bhairavi popular in film music, admitting virtually all swara alterations.

A monsoon raag attributed to the poet Surdas, combining Kafi and Malhar elements with devotional warmth.

A compound raag blending Todi and Bhairavi elements, creating an atmosphere of intense devotional gravity.

A luminous early-morning pentatonic raag from the Bhairav thaat with komal Re and komal Dha.