पूरिया धनाश्री

Puriya Dhanashree

A majestic evening raag combining the gravity of Puriya with the presence of Pa.

Thaat
Poorvi
Jati
Sampurna - Sampurna
Vadi
Pa
Samvadi
Sa
Time
Evening
Moods
Devotional, Majestic, Serious

Overview

Raag Puriya Dhanashree is a beloved evening raag that retains the komal Re and tivra Ma of the Puriya family while including Pa, which provides an additional anchor and expressive dimension. It is widely performed and admired for its combination of depth, expansiveness, and emotional range.

This summary is designed as a learner-facing orientation. Interpretive details can vary by source and performance lineage.

Aaroh

Ni Re(k) Ga Ma(t) Pa Dha Ni Sa

Avroh

Sa Ni Dha Pa Ma(t) Ga Re(k) Sa

Pakad / Chalan

Ni Re(k) Ga, Ma(t) Pa, Dha Ma(t) Pa Ga Re(k) Sa

Swaras and note treatment

Uses komal Re, tivra Ma, and shuddh Dha. All seven swaras are present.

Performance notes

Distinguished from Puriya by the inclusion of Pa and from Marwa by the treatment of Dha and the overall phrase movement. The Pa provides a resting point that Puriya lacks.

Representative listening

These embeds are included as listening leads. Curated performance choices should be reviewed editorially over time.

Search: Raag Puriya Dhanashree Classical

Curated YouTube search

Search for classical performances of Raag Puriya Dhanashree.

Bollywood listening bridge

Bollywood song to raag mappings can vary by source and interpretation.

Kaisi Paheli Zindagani

Parineeta (2005)

Singer: Sunidhi Chauhan. Composer: Shantanu Moitra. Sometimes discussed as reflecting Puriya Dhanashree melodic patterns.

Listen on YouTube

Bandishes in Puriya Dhanashree

Traditional compositions set in this raag.

Related raags

Derived from shared thaat, mood, or time-of-day relationships.