Romantic

A late-evening raag often described as intimate, shaded, and romantic.

A night raag combining elements of Bageshree and Kanada into a deep, compound melodic identity.

The 'queen of raags,' traditionally a dawn raag but performed at any time, with all komal notes available.

A warm afternoon raag often linked with yearning, repose, and shaded lyricism.

A romantic late-evening raag using tivra Ma in ascent, known for lyrical sweetness and grace.

A late-evening raag of Carnatic origin with komal Dha and komal Ni, known for dramatic expressiveness.

A monsoon raag blending the lyrical warmth of Desh with the rain imagery of the Malhar family.

A graceful and evocative raag often linked with monsoon, patriotism, and lyrical warmth.

A folk-rooted late-evening raag from the Asavari thaat with earthy, expressive character.

A monsoon raag combining Gaud and Malhar elements, evoking the drama and beauty of the rainy season.

A gentle late-morning raag from the Asavari thaat with komal Dha and komal Ni.

A versatile late-evening raag using both Gas and both Nis, known for its wide emotional range.

A light and playful late-evening raag from the Khamaj thaat, popular in semi-classical music.

A flexible raag family color often associated with folk warmth and expressive ease.

A rare and beautiful late-evening raag from the Khamaj thaat with a gentle, expressive character.

A dramatic late-evening raag of Carnatic origin with komal Ga and komal Dha.

A sweet afternoon raag from the Todi thaat with komal Re, komal Ga, and tivra Ma.

A lyrical and romantic late-evening raag from the Khamaj thaat with a gentle, flowing character.

A lyrical late-evening raag blending Marwa and Bihag elements with tivra Ma and distinctive sweetness.

A pentatonic afternoon raag of the Malhar family, evoking the anticipation and beauty of monsoon clouds.

A night raag of the Malhar family attributed to Tansen, evoking monsoon depth with both Ni variants.

A compound late-evening raag blending Piloo's folk flexibility with Barowa's distinctive phrase structure.

A flexible late-evening raag with folk-adjacent character, admitting a wide range of swara variations.

A romantic late-evening raag from the Khamaj thaat with a gentle, lyrical melodic character.

A highly flexible variant of Bhairavi popular in film music, admitting virtually all swara alterations.

A monsoon raag attributed to the poet Surdas, combining Kafi and Malhar elements with devotional warmth.

A sweet evening raag from the Kalyan thaat, closely related to Kamod with a gentle, ornamental quality.

A sweet evening raag from the Khamaj thaat with komal Ni and a lyrical, accessible character.

An evening raag blending Yaman and Kalyan elements, using both forms of Ma for distinctive color.