नट

Nat

A bright and playful late-morning raag from the Bilawal thaat with both forms of Ma.

Thaat
Bilawal
Jati
Sampurna - Sampurna
Vadi
Pa
Samvadi
Sa
Time
Late Morning
Moods
Devotional, Joyful, Majestic

Overview

Raag Nat is a bright and playful late-morning raag that uses both shuddh Ma and tivra Ma, giving it a distinctive melodic richness. The raag is associated with liveliness, vigor, and a sense of celebration. Its character is confident and outward-facing, making it well-suited to energetic and virtuosic performance.

This summary is designed as a learner-facing orientation. Interpretive details can vary by source and performance lineage.

Aaroh

Sa Re Ga Ma Pa Ma(t) Pa Dha Ni Sa

Avroh

Sa Ni Dha Pa Ma(t) Pa Ma Ga Re Sa

Pakad / Chalan

Pa Ma(t) Pa Dha, Pa Ma Ga Re Sa

Swaras and note treatment

Uses both shuddh Ma and tivra Ma. The interplay between the two Mas is the raag's defining feature.

Performance notes

Nat's double-Ma usage and bright character distinguish it from other Bilawal-thaat raags. The Ma-Ma(t)-Pa movement is its most recognizable phrase gesture.

Representative listening

These embeds are included as listening leads. Curated performance choices should be reviewed editorially over time.

Search: Raag Nat Hindustani Classical

Curated YouTube search

Search for classical performances of Raag Nat.

Bollywood listening bridge

Bollywood song to raag mappings can vary by source and interpretation.

Nat (classical reference)

Classical repertoire

Singer: Various artists. Composer: Traditional. Nat is primarily a classical raag known for its virtuosic possibilities.

Listen on YouTube

Bandishes in Nat

Traditional compositions set in this raag.

Related raags

Derived from shared thaat, mood, or time-of-day relationships.