Taal detail

Pancham Sawari

A 15-matra taal that is relatively rare in standard concert repertoire, known for its unusual cycle length and the challenge it poses to performers and listeners alike.

Matras
15
Vibhag
3 + 4 + 4 + 4
Theka
Dhin Dhin Na | Ta Dhin Dhin Na | Dhin Dhin Na | Ta Dhin Dhin Na
Clap pattern
Clap on 1, 4, 12; wave on 8.

Taal cycle

The 15-matra cycle grouped into vibhag sections. Clap (tali) on numbered beats, wave (khali) on the open beat.

Tali (Clap)
DhinDhinNa
Tali (on)
TaDhinDhinNa
Tali (1,)
DhinDhinNaTa
Tali (4,)
DhinDhinNa

15 matras. Theka: Dhin Dhin Na | Ta Dhin Dhin Na | Dhin Dhin Na | Ta Dhin Dhin Na. Vibhag grouping: 3 + 4 + 4 + 4. Clap pattern: Clap on 1, 4, 12; wave on 8..

Sam (X) — first beat, clapTali — clap beatKhali (0) — wave (no clap)

How to hear it

A 15-matra taal that is relatively rare in standard concert repertoire, known for its unusual cycle length and the challenge it poses to performers and listeners alike.

Start by clapping along: clap on the sam (first beat) and on each tali marker. Wave your hand on the khali. As you practice, you will begin to feel the cycle even without counting.

Learner notes

Its 15-matra length makes it one of the more uncommon taals. Primarily of interest to advanced students and those exploring the breadth of the taal system.