How to hear it
A 14-matra taal often associated with thumri, dadra, and lighter classical forms, known for its graceful and lilting rhythmic character.
Also known as Dipchandi
Deepchandi
A 14-matra taal often associated with thumri, dadra, and lighter classical forms, known for its graceful and lilting rhythmic character.
- Matras
- 14
- Vibhag
- 3 + 4 + 3 + 4
- Theka
- Dha Dhin — | Dha Dha Dhin — | Ta Tin — | Dha Dha Dhin —
- Clap pattern
- Clap on 1, 4, 11; wave on 8.
Learner notes
Particularly popular in thumri and semi-classical contexts. Its asymmetric grouping gives it a swaying, dance-like quality that supports expressive vocal phrasing.
Bandishes in Deepchandi
Traditional compositions set to this taal.
Hori Khelat Nandlal
MadhyaRaag Kafi
Hori khelat Nandlal, Brij ki galiyan mein rang barse
Kahe Ched Ched Mohe
MadhyaRaag Bhairavi
Kahe ched ched mohe, main nahin boloon re
Main Toh Piya Se
MadhyaRaag Jayjaywanti
Main toh piya se naina ladaayi, ab kya karoon ri
Nahi Aaye Re Saiyan
MadhyaRaag Pilu
Nahi aaye re saiyan, baat kahi thi aaj aane ki
Nahi Manat Mora Jiya
MadhyaRaag Piloo Baroowa
Nahi manat mora jiya re, saiyan tum bin kaise jiyoon