हमीर

Hameer

A majestic night raag from the Kalyan thaat using both forms of Ma with regal grandeur.

Thaat
Kalyan
Jati
Sampurna - Sampurna
Vadi
Pa
Samvadi
Sa
Time
Night
Moods
Joyful, Majestic, Serious

Overview

Raag Hameer is a majestic and authoritative night raag from the Kalyan thaat that employs both shuddh Ma and tivra Ma. Its melodic character is regal, expansive, and commanding, with a grandeur that demands a confident and experienced performer. The interplay between the two Mas and the strong Pa emphasis give it a distinctive powerful identity.

This summary is designed as a learner-facing orientation. Interpretive details can vary by source and performance lineage.

Aaroh

Sa Re Ga Ma Pa Dha Ni Sa

Avroh

Sa Ni Dha Pa Ma(t) Ga Ma Re Sa

Pakad / Chalan

Sa Ga Ma Pa, Dha Pa Ma(t) Ga Ma Re Sa

Swaras and note treatment

Uses both shuddh Ma and tivra Ma. Tivra Ma appears characteristically in descent before shuddh Ma.

Performance notes

Hameer's grandeur comes from its spacious phrase movement and the distinctive descent pattern where tivra Ma precedes shuddh Ma. It is sometimes compared with Kedar but has a more overtly majestic character.

Representative listening

These embeds are included as listening leads. Curated performance choices should be reviewed editorially over time.

Search: Raag Hameer Hindustani Classical

Curated YouTube search

Search for classical performances of Raag Hameer.

Bollywood listening bridge

Bollywood song to raag mappings can vary by source and interpretation.

More Saiyyan

Traditional bandish

Singer: Various artists. Composer: Traditional. Hameer is primarily a classical raag; its majestic compositions are well-known in concert repertoire.

Listen on YouTube

Bandishes in Hameer

Traditional compositions set in this raag.

Related raags

Derived from shared thaat, mood, or time-of-day relationships.